Three albums in, and aKING have undoubtably risen to the status of princes of South Africa’s rock royalty. Balancing critical and commercial success, the boys from Bellville have toured relentlessly since their 2008 debut Dutch Courage, crafted their sound from album-to-album, and now The Red-Blooded Years is a mature and confident claim to the throne.
Combining their well-known catchy rock ‘n roll/country rock style with some sonic experimentations, such as the use of keyboards and synthesizers, the new album has an amalgamation of sounds and influences, whilst still retaining that undeniable aKING vibe. This is mostly due to the unique, brooding, gritty baritoned voice of lead singer Laudo Liebenberg, who once again infuses each track with rousing bravado, passion, sincerity and even tenderness. The band also has a line-up change in the departure of rhythm guitarist Hunter Kennedy (due to his hectic work schedule being in Die Heuwels Fantasties as well). His replacement is Andrew Davenport, whose arrival must’ve prompted the band to reassess their sound, as well as the 3-month rush it took to record 2009’s Against All Odds.
In certain songs, bassist Hennie Van Halen also contributes to keyboards, and this change is immediately evident on the lengthy synth-heavy intro of album opener ‘Catch Alight’, first single ‘The Runaround’, power ballad ‘Holding On’ and soothing charmer ‘All In The Wind’. These new additions sound rather natural for the band, and they meld with their image quite smoothly. Both Andrew and Hennie contribute immensely to the backing vocals, which gives each track an added boost in the crowd-pleasing stakes.
This was particularly evident in their live show I had the good fortune of seeing at Kirstenbosch this past Sunday (3 April 2011). The band enthusiastically get into the swing of things vocally, and in my opinion, its effect is the markings of a band hitting their stride musically. Drummer Jaco ‘Snakehead’ Venter is one of the most exciting drummers to watch live, and could make a funeral dirge look like a Broadway musical the way he smashes those drums. His eager playing style makes for some seriously contagious beats emanating from behind the kit.
Despite the mostly upbeat demeanour in their music, aKING has always had an intriguingly dark, oftentimes sexual side to them and their lyrics. ‘Cut-Throat Tongue’ is this album’s most obvious example of that side (“Lift that cursed skirt, vicious young jackal/My confidence is coming”), but everywhere else there’s smatterings of songwriter Laudo’s angst-filled, ambigious confessions and musings. They’re the kind of lyrics that might pass over you first time round, but will soon start to resonate with you after a couple of listens. My personal favourite lines are from ‘All In The Wind’: “I don’t drink too much, just enough/To sink my teeth into the evening/And grind through the days”. Not bad for a group of primarily Afrikaans-speaking gentlemen…
The Red-Blooded Years is a thrill-ride from start to finish; something that you can come to expect from this band, whose dynamic is getting stronger and stronger with each release, adding to a bubbling melting-pot of ideas and talent. The only possible negative I can think of is the instrumental ‘The Sleeping Sound’, which finds itself tagged on as the last track. It rocks out really well, however, and closes the album in a similar ambient style to the one that ‘Catch Alight’ opens it with – a beautiful symmetry perhaps?
This is their coming of age. Long live aKING.
- Catch Alight
- The Runaround
- Cut-Throat Tongue And Razor
- Kick Me
- So Close
- Holding On
- All In The Wind
- Weak Man’s World
- Any Other Way
- First Brush
- Red Blooded Years
- The Sleeping Sound
Release date: 1 March 2011